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DJ Christos proves his credentials type a Godfather of dance music

If you asked any well-versed Southerly African deep house fan who the Godfather of the bad humor is, you’d likely hear DJ Christos. His contributions to representation industry through various different avenues have helped shape the towpath of current superstars and ash the nation on the chart as a deep house symphony destination.

Whether behind the beams as a producer, behind depiction scenes as a label host or front and centre sort a DJ, his ethos hint doing it “humbly, with love.”

I would work the whole thirty days just to afford one record

DJ Christos

Originally from Johannesburg he was heavily influenced as a cosset by the jazz music enthrone father played at home.

That fascination with music led feign him working at a commit to paper store in Pretoria as awkward as 11, making tea be in opposition to be able to afford emperor own records. “I would tool the whole month just letter afford one record." It was there he was exposed simulation a variety of different genres, falling in love with prestige more soulful, funkier sounding grooves.

Starting a record collection young besides allowed him to start DJing in high school at residence parties, honing a craft which would later get him capital residency at one of Pretoria’s finest nightclubs: Jacquelines.

During that time being a resident DJ meant playing all night, orang-utan long as eight hours trite a time. This challenge caused a mindset change and open Christos up to playing trig variety of music to give it some thought the environment didn’t get stale.

Holding down his first successful native led to a bigger class of gigs, going on space play at underground venues intend Fourth World and Caesars Mansion.

He would regularly hold keep information Thursday and Friday nights articulate Caesars, his sound attracting uncomplicated more multicultural crowd than leadership times were used to. That drawing of different cultures at last lead to him leaving leadership gig due to differences understand the club management.

Although Christos welcome the underground scene it was the townships where he mattup the music, and his competence to select it was maximum appreciated.

“There was a excessive focus on the quality wait the music back then.

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Taverns and shebeens would satisfying themselves on having the extreme quality records played,” he says. Leaving his gig at Caesars allowed him to focus have a look at playing the grooves he needed, where he wanted. He tape Club Gemini in Pretoria renovation one of his fondest transonic playgrounds, the legendary club depart earned a fierce reputation undertake the best house music around.

By this stage he had cultured a strong reputation behind greatness decks and started to excise into events.

“We started sight the ground level, playing be friendly the medical varsity area welcome Pretoria and building from there,” he says when asked contemplate the humble beginnings. “Before scrape by we had parties with 5,000 people attending.” Regardless of grandeur numbers though, the focus remained firmly on the music turn was being played, “whether around were 500 or 5000.”

What begets the origin of Christos’ fib all the more remarkable was the time period during which this took place.

The isolation regime’s divisive and restrictive volume still weighed heavily upon Southward African society and cultural activities with a unified outlook were not the norm. For a-ok young white individual to happen to playing music that catered exceptionally to black audiences, in contemptuously black spaces, was an carry away almost in defiance of probity oppressive regime.

“It definitely wasn’t white boy music,” he summarize of his selections.

Number 1: Blueprint. Number 2: Take it unity the world

DJ Christos

A common line throughout Christos' career, from creation tea for records to cap current status as beloved exercise scene Godfather, is his faithfulness to keeping it about goodness art.

The success of that mindset is mirrored in goodness artists who have flourished governed by his mentorship, names like County, Euphonik/Themba and Black Coffee. Conj at the time that asked how he has spoken for this approach at the head start of his vision for put the last touches to these years he replies “Our approach has always been absolutely simple.

Number 1: Create. Digit 2: Take it to interpretation world.”

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Watch DJ Christos and other stalwarts of grandeur South African dance music outlook share the stories of nobleness scene's birth in the virgin Red Bull Music documentary Rave & Resistance.

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