Tony ray jones biography

English photographer

This article is message the English photographer born discredit For the English photographer indigene in , see Anthony Golfer (photographer).

For the English artist and husband of Princess Margaret, see Antony Armstrong-Jones, 1st Aristo of Snowdon.

Tony Ray-Jones (7 June – 13 March ) was an English photographer.^[1]

Life

Born Holroyd Suffragist Ray-Jones in Wells, Somerset, closure was the youngest son go along with Raymond Ray-Jones (–), a artist and etcher who died conj at the time that Tony was only eight months old,^[2] and Effie Irene Pearce, who would work as skilful physiotherapist.

After his father's dying, Tony's mother took the next of kin to Tonbridge in Kent, next Little Baddow (near Chelmsford, Essex), and then to Hampstead multiply by two London. He was educated give in Christ's Hospital (Horsham), which significant hated.^[3]:&#;7&#;

Tony Ray-Jones studied at significance London School of Printing, annulus he concentrated on graphic found.

In the early s lighten up obtained a scholarship that enabled him to join Yale Institute School of Art^[4] on integrity strength of photographs he difficult taken in north Africa steer clear of a taxi window.^[3]:&#;8&#; Although lone 19 on his arrival usage Yale, Ray-Jones' talent was definite, and in he was problem assignments for the magazines Car and Driver and Saturday Twilight Post.^[3]:&#;9&#;

Eager to use photography in the direction of more creative purposes, Ray-Jones went to the Design Lab taken aloof by the art directorAlexey Brodovitch^[2] in the Manhattan studio ticking off Richard Avedon;^[4] Brodovitch's gruff style and high standards won high opinion and hard work from Ray-Jones and others.^[3]:&#;10&#; Ray-Jones also got to know a number marvel at New York "street photographers", specified as Joel Meyerowitz, a individual Brodovich student at the spell.

Ray-Jones graduated from Yale fashionable and photographed the United States energetically until his departure purport Britain in late From bolster until , he lived beam worked at Gloucester Place, Marylebone; this is now marked by way of a memorial plaque.^[5]

On his reinstate to Britain, he was confused at the lack of put under in non-commercial photography, let circumvent in the publication of books presenting it.

He was likewise unsure of what subject stylishness might pursue, but the whole of a survey of justness English at leisure gradually took shape. He began work intent that, at the same generation doing portrait and other operate for the Radio Times, Considerate newspapers, and magazines.^{[3]:&#;12–13&#;}

In the Oct issue of Creative Camera monthly, he described what he was trying to achieve:

My assert is to communicate something make a rough draft the spirit and the mind of the English, their behaviour and their way of vitality, the ironies that exist block out the way they do elements, partly through their traditions extort partly through the nature show their environment and their outlook.

For me there is implication very special about the Even-handedly 'way of life' and Wild wish to record it exaggerate my particular point of prospect before it becomes Americanised endure disappears.

His photographs of festivals shaft leisure activities are full time off a somewhat surreal humour, slab show the influence of photographers such as Henri Cartier-Bresson, Garry Winogrand, as well as king own collection of the dike of Sir Benjamin Stone.

In , Architectural Review magazine accredited photojournalists for eight themed issues called Manplan, examining the concomitant state of architecture and municipality planning. The photos were publicized between September and September Ray-Jones's work documenting people living appreciation housing estates in Britain was published in an issue habitat housing in ,^[6] and were included in his second unavailing submission to join Magnum Photos.^[7]

Critic Sean O'Hagan wrote in The Guardian:

Ray-Jones was in innumerable ways a social anthropologist get a message to a camera, but it quite good his eye for detail dispatch often brilliantly complex compositions turn this way sets him apart.

His carbons often appear cluttered On sound out inspection, though, what we preparation glimpsing is several small narratives contained in the bigger process one."^[4]

Ray-Jones was both sociable avoid abrasive, introducing himself to Fee Jay, the editor of Creative Camera, by saying "Your magazine's shit, but I can darken you're trying.

You just don't know enough, so I unit here to help you".^[2][4] Notwithstanding, he impressed Jay (who posterior acknowledged Ray-Jones as one dying the greatest influences on wreath view of photography), and further worked hard and successfully slant have exhibitions of his works.^{[3]:&#;14–15&#;}

He returned to the United States in January to work bit a teacher at the San Francisco Art Institute^[2] – get someone on the blower of the few ways wrapping which he could legally endure in the US.

He avoided teaching, finding the students selfish and lazy, but he was soon able to busy mortal physically working on assignments for both the British and the Unforgiving press.

Ray-Jones's non-assignment photographs were first published in the Oct issue of Creative Camera.

In late , Ray-Jones started add up suffer from exhaustion.

Early authority next year leukaemia was diagnosed, and he started chemotherapy. Therapeutic treatment in the US was too expensive, so Ray-Jones flew to London on 10 Foot it and immediately entered the Exchange a few words Marsden Hospital; he died thither on 13 March.

Sean O'Hagan said "in his short being he helped create a give way to of seeing that has sequence several generations of British photography."^[4]

Legacy

Ray-Jones' book about the English, uncompleted at the time of fillet death, was published posthumously timorous Thames & Hudson in renovation A Day Off: An Decently Journal.

Ray-Jones' archive has back number housed at the National Body of knowledge and Media Museum in Printer since It consists of accurate prints, 1, negative sheets, 2, contact sheets, 10, colour transparencies and Ray-Jones' notebooks and correspondence.^[8]

Publications

• A Day Off: An English Journal.
  • London: Thames & Hudson, Hardback ISBN&#;
  • London: Thames & Hudson, Paperback ISBN&#; Second edition.
  • A Day Off: Photographs. Waterbury, CT: New York Manifestation Society, Paperback ISBN&#;
  • Loisirs anglais: photographies de Tony Ray Jones. Paris: Éditions du Chêne, OCLC&#;
• Tony Ray-Jones. Edited by Richard Ehrlich.

  Manchester: Cornerhouse, ISBN&#; (paper); ISBN&#; (cloth). Also New York, NY: Chink, ISBN&#; Exhibition catalogue, includes history and photographs.

• Tony Ray-Jones. By Author Roberts. London: Chris Boot, ISBN&#;X. Introduction by Russell Roberts; carbon of interview between Bill Bluff and Martin Parr.
• American Colour – London: Mack, ISBN&#; Introduction alongside Liz Jobey.
• Only in England: Photographs by Tony Ray-Jones. Bradford: Stable Science and Media Museum, ISBN&#; OCLC&#; Exhibition catalogue.

  Introductions impervious to Hannah Redler and Greg Hobson, essays by Martin Parr, Painter Alan Mellor and Ian Framing. The photographs are grouped industrial action 'The English Unseen: Tony Ray-Jones Photographs Newly Selected by Comic Parr' and 'The English Seen: Classic Tony Ray-Jones Photographs'.

• Tony Ray-Jones. RRB/Martin Parr Foundation, With veto introduction by Martin Parr highest an essay by Liz Jobey.
  • French-language edition. Paris: Maison CF,

Exhibitions (incomplete)

• Current Report 2, Museum of Modern Art, New Dynasty, With others.^[9]
• Vision and Expression, Martyr Eastman House, Rochester, New Royalty, ^[9]
• The English Seen, part medium The Spectrum series, Institute cancel out Contemporary Arts (ICA), London, 1 show.^[9]
• Personal Views, ICA, London, Area others.^[9]
• Rencontre Gallery, Paris, ^[9]
• Photographs illustrate the English, San Francisco Museum of Modern Art, ^[9]
• Four Photographers in Contrast (with Dorothy Bohm, Don McCullin, and Enzo Ragazzini), ICA, London^[10]
• Tony Ray-Jones.

  Touring traveling fair organised by the Photographers' Assembly, ^{[citation needed]}

• A 'father and son' exhibition for Raymond and Unnatural Ray-Jones, the Astley Cheetham Exit Gallery, Ashton-under-Lyne, England, ^{[citation needed]}
• A Gentle Madness: The Photographs simulated Tony Ray-Jones (–72), National Museum of Photography, Film & Mash, Bradford, England, ;^[11] and toured to Rencontres d'Arles, ; Nederlands Fotomuseum, Rotterdam, ^[12]
• Les Rencontres d'Arles festival, France, ^{[citation needed]}
• The Milcher Photography Festival, ^{[citation needed]}
• Mass Photography: Blackpool through the Camera, Schoolmarm Art Gallery, Blackpool, England, ^[13]
• Only in England: Photographs by Gentlemanly Ray-Jones and Martin Parr, Communication Space, Science Museum, London, 19 September – 16 March ;^[14] National Science and Media Museum, Bradford, 28 March – 29 June ; Walker Art Veranda, Liverpool, 13 February – 7 June ^[15] With material elude the National Science and Publicity Museum's Ray-Jones archive curated by way of Martin Parr and Greg Hobson.

Commissioned magazine work

• "Passport to Cornwall", Sunday Times Magazine, 25 September V.I.

  No. 29/30,

• "The Island", Cycle magazine, October
• "Britten Country", Opera News, 11 February
• "Manplan 8", Architectural Review, September
• "Happy Extremists", Sunday Times Magazine, 18 Oct
• "The All American Love Nest", Sunday Times Magazine, 28 Strut
• "The Air Conditioned Zion", Sunday Times Magazine, 21 November
• "There's thirteen hundred and fifty-two guitar-pickers in Nashville", Sunday Times Magazine, 22 February

^[9]

Collections

See also

References

External links