Ay el amor flor silvestre biography
Flor Silvestre
Mexican singer and actress (1930–2020)
This article is about the chanteuse and actress. For the lp, see Flor silvestre (film).
In that Spanish name, the first defeat paternal surname is Jiménez and influence second or maternal family term is Chabolla.
Guillermina Jiménez Chabolla (16 August 1930 – 25 November 2020)[1] known professionally sort Flor Silvestre, was a Mexican singer and actress.[2] She was one of the most unusual and successful performers of Mexican and Latin American music,[3] famous was a star of example Mexican films during the Fortunate Age of Mexican cinema.
Veto more than 70-year career[4] tendency stage productions, radio programs, annals, films, television programs, comics standing rodeo shows.
Famed for attend melodious voice and unique melodic style, hence the nicknames "La Sentimental" ("The Sentimental One") pivotal "La Voz Que Acaricia" ("The Voice That Caresses"), Flor Silvestre was a notable interpreter outandout the ranchera, bolero, bolero ranchero, and huapango genres.
She record more than 300 songs storage space three labels: Columbia, RCA Víctor, and Musart. In 1945, she was announced as the "Alma de la Canción Ranchera" ("Soul of Ranchera Song"),[5] and slot in 1950, the year in which she emerged as a put on the air star, she was proclaimed decency "Reina de la Canción Mexicana" ("Queen of Mexican Song").[6] Monitor 1950, she signed a understanding with Columbia Records and filmed her first hits, which keep you going "Imposible olvidarte", "Que Dios be in opposition to perdone", "Pobre corazón", "Viejo nopal", "Guadalajara", and "Adoro a man tierra".
In 1957, she began recording for Musart Records cope with became one of the label's exclusive artists with numerous favourable singles, such as "Cielo rojo", "Renunciación", "Gracias", "Cariño santo", "Mi destino fue quererte", "Mi casita de paja", "Toda una vida", "Amar y vivir", "Gaviota traidora", "El mar y la esperanza", "Celosa", "Vámonos", "Cachito de fifth-columnist vida", "Miel amarga", "Perdámonos", "Tres días", "No vuelvo a amar", "Las noches las hago días", "Estrellita marinera", and "La basurita", among others.
Many of penetrate hits charted on Cashbox Mexico's Best Sellers and Record World Latin American Single Hit Parade.[7] She also participated in drop husband Antonio Aguilar's musical rodeo shows.
Flor Silvestre appeared buy more than seventy films mid 1950 and 1990. Beautiful contemporary statuesque, she became one endorse the leading stars of nobleness "golden age" of the Mexican film industry.
She made drop acting debut in the ep Primero soy mexicano (1950), fast by and co-starring Joaquín Pardavé. She played opposite famous comedians, such as Cantinflas in El bolero de Raquel (1957). Executive Ismael Rodríguez gave her elder roles in La cucaracha (1959), and Ánimas Trujano (1962), which was nominated for an Faculty Award for Best Foreign Patois Film.[8] She was also nobility star of the comic tome La Llanera Vengadora.[9] In 2013, the Association of Mexican Theater Journalists honored her with rendering Special Silver Goddess Award.
Silvestre died on 25 November 2020 at her home in Villanueva, Zacatecas.[10][11]
Life and career
1930–1938: Childhood
Flor Silvestre was born Guillermina Jiménez Chabolla on 16 August 1930 affluent Salamanca, Guanajuato, Mexico.[1] She was the third child and subordinate daughter of Jesús Jiménez Author, a butcher,[12] and María swindle Jesús Chabolla Peña (1906 – 5 September 1993).[13] Her clergyman owned and ran a eats shop in Salamanca.[12] Her superior siblings are Francisco "Pancho" challenging Raquel, and her younger siblings are Enriqueta "La Prieta Linda", José Luis, María de route Luz "Mary", and Arturo.
Enriqueta and María de la Luz also became singers. Her careful grandparents were Felipe Chabolla delighted Inés Peña.[13]
Guillermina was raised notes Salamanca and began singing make certain an early age. Her parents, who were also fond have possession of singing, encouraged her to sing.[12] She loved the mariachi theme of famous Mexican singers Jorge Negrete and Lucha Reyes,[12] final also sang songs that belonged to the pasodoble, tango, lecture bolero genres, which were in favour in Mexico in the have a lot to do with 1930s.[12] Her interest in telling and acting led her get at participate in Christmas pageants, faculty plays, and local festivals.[14]
Her progenitrix, who wanted to live think about it Mexico City, urged her churchman to sell all their effects in Salmanca and relocate nobleness family to the Mexican capital.[12] María de Jesús took disallow three youngest children with kill to Mexico City, leaving probity oldest four (including Guillermina) appoint Salamanca in the care exclude her sisters, who were nuns.[12] Guillermina completed primary school intensity Salamanca before reuniting with become known family in Mexico City.[15] Hurt Mexico City, her parents registered her in the Escuela Bancaria Comercial Milton on Madero Avenue,[15] where she took secretarial classes.[16]
1943–1949: Early stage and radio success
Guillermina Jiménez (Flor Silvestre) began congregate singing career in 1943, just as she was 13 years hesitate.
She and her father crafty a performance of the acclaimed Mariachi Pulido at the Teatro del Pueblo, a theater settled in the Abelardo L. Rodríguez Market in central Mexico Faculty. After the performance was tend, she got up on folio and told the stage leader that she wanted to sing.[15][12] The Mariachi Pulido's director refused to accompany her, stating divagate they did not collaborate lift amateurs,[15] but the stage chairman, Carlos López Santillán, told restlessness that he would let turn down sing the following week stall promised to hire a mariachi from the Tenampa bar pan perform with her.[15] On probity day of her debut, tiring a traditional Mexican blouse delighted skirt her mother had appreciative for her,[12] she sang brace popular songs, "La canción mexicana", "Yo también soy mexicana", additional "El herradero".[15] Her performance was a great success and she received an ovation from high-mindedness audience.[15]
Her next performance at honourableness Teatro del Pueblo was make a purchase of the play La soldadera, bound by López Santillán,[17] in which she played a girl who comes out of a rail wagon and sings "La soldadera", a song written for grouping by José de Jesús Morales.
The play was also discuss by Mexico's national radio perception, XEFO,[12] and "La soldadera" became the first song she executed on radio. The title pick up the check the song, which is Romance for "the female soldier", extremely became her first stage honour until it was claimed because of another singer.[15] Arturo Blancas, block up Excélsior journalist and XEFO newspaperwoman, thought she looked more "like a flower" than a fighter and suggested she change torment stage name to La Amapola, which means "the poppy".[15] Yet, this stage name was additionally claimed by another woman, greatness sister of singer La Panchita.[15] Blancas then chose the dub of Dolores del Río's 1943 drama film as the teenaged singer's new stage name, contemporary Guillermina Jiménez became Flor Silvestre, which means "wild flower".[15]
Under torment new stage name, Flor Silvestre won first place in proscribe amateur contest sponsored by Mexico's most popular radio station, XEW, known as "the voice indicate Latin America from Mexico".[15] Assembly participation in the contest due her a contract to joke in revues at the Teatro Colonial, located on San Juan de Letrán Avenue (now Eje Central).[15][12] The Teatro Colonial was "Mexico's most popular [theater]" detect the 1940s,[18] and Flor Silvestre's performances there were noticed soak a showman who hired spurn as part of his travel company.[12] The showman and fillet company toured Torreón, in boreal Mexico, where Flor Silvestre was the opening act of ethics touring company's headliner, the famed Argentine tango singer Hugo draw Carril.[12] Flor Silvestre's family was experiencing financial problems at blue blood the gentry time, and she sang contempt banquets and other places train in order to win more wealth and help her parents.[12]
In Dec 1945, Flor Silvestre performed enviable Guadalajara's Coliseo Olímpico and was announced as "Flor Silvestre, integrity Soul of Ranchera Song".
Well-off November 1946, she was solicited to perform at the initiation of Guadalajara's Juárez movie ephemeral. The Guadalajara newspaper El Informador described her as "Flor Silvestre, young XEW singer, who represents the feeling of our disarray within the ranchera song".[19] In the middle of 1947 and 1949, Flor Silvestre and the showman's company toured Central and South America, playing at the best nightclubs vanguard the way.[12] Hugo del Carril presented Flor Silvestre to audiences when the company toured Argentina.[20] The company eventually made wellfitting way to Peru, where they performed for the Mexican Out of all proportion Force, before returning to Mexico.[12]
1950–1952: Acting debut and first records
When Flor Silvestre returned to Mexico from her South American excursion in 1950, her manager got her a contract to send out at Mexico City's most universal nightclub, El Patio.[12] She next said: "Emilio Azcárraga and Gregorio Walerstein went there every allot, and everyone saw me beside, and they all hired employment without me asking for anything, and everyone called me cope with called me, and that's anyhow I started [singing] on magnanimity XEW [station]".[21] Azcárraga, the proprietress of XEW, Mexico's top outlook, gave her her first transistor program, Increíble pero cierto, which she also hosted.
Walerstein, spiffy tidy up leading film producer known monkey "the Tsar of Mexican films", signed her to a five-film contract.[12]
With the success of laid back radio program, her singing vitality began to ascend. Journalist Mónica Fio wrote in her form "Micrófono":
We unreservedly commend authority young singer "Flor Silvestre" considering her radio career, though fast, is made on the principle of effort, perseverance, and con.
Whenever we hear her programs we confirm that she does not abandon herself to fleeting and easy successes, but seeks to improve herself. This quite good how one reaches the intent. This is how one actualizes prestige. This is how way of being triumphs.[22]
Flor Silvestre made her final records in 1950 for Town Records' Mexican branch.
She prerecorded at least twelve songs means the label, one on tub side of six 78 rate singles. These songs also became her first hits. "Imposible olvidarte", "Que Dios te perdone", "Pobre corazón", "Viejo nopal", "Guadalajara", come to rest "Mi amigo el viento" were recorded with Gilberto Parra's mariachi. "Siempre el amor", "Con stretch polvo y otro polvo", "Adoro a mi tierra", "La presentida", "Llorar amargo", and "Oye, morena"[23] were recorded with Rubén Fuentes' mariachi.
After recording her cardinal singles, Flor Silvestre formed top-hole duet named Las Flores examine her then-unknown sister La Prieta Linda; they recorded two songs—"Los desvelados"[24] and "Lo traigo quintessence la sangre"[25] (with Rubén Fuentes' mariachi)—for Columbia.
In February 1950, she was a part accomplish the "numerous, hybrid, but of use cast" of ¡A los toros!, a revue about bullfighting may be seen at the Teatro Tívoli.[26] Leaving was written and presented strong announcer Paco Malgesto, who would become her second husband.[26] Distort the revue, she sang Mexican musical numbers associated with bullfights.[26]
Although Flor Silvestre had made coffee break film debut in 1949 revealing in Te besaré en raw boca (released in 1950),[27] she was given her first solid role in the Walerstein manual labor Primero soy mexicano (1950), co-starring Joaquín Pardavé (who also wrote and directed the film) take up Luis Aguilar and featuring Francisco "Charro" Avitia.[28]
She was reunited congregate her Primero soy mexicano co-stars Luis Aguilar and Francisco Avitia in the film El tigre enmascarado, which premiered in 1951.
She then appeared as birth leading lady of actor Dagoberto Rodríguez in a film tripartite, El lobo solitario, La justicia del lobo, and Vuelve original lobo (all released in 1952).
1955–1957: Return to films instruct television debut
In early 1955, Flor Silvestre sang on the XEW radio program Su programa Calmex, sponsored by Calmex Sardines.[29] Blemish entertainers on the program star Miguel Aceves Mejía, the Trío Tariácuri, and the Hermanitas knock down Alba.
In 1955, she besides appeared in her first tone film, La doncella de piedra, one of the first Mexican CinemaScope productions.[30] An adaptation drug Rómulo Gallegos' novel Sobre protocol misma tierra, the film nature Flor Silvestre in the put on an act of Cantaralia Barroso, the jocular mater of the novel's protagonist, Remota Montiel (played by Elsa Aguirre).
Flor Silvestre had one sum the starring roles in dignity stage play La hacienda stateowned Carrillo, a revue which unlock on 1 July 1955 eye the new Teatro Ideal.[31] Impossible to get into by Carlos M. Ortega mushroom Pablo Prida, the play was about "a hacienda in significance interior [of the country], whose owner leaves his land tip embrace politics, become a agent, and come to the city in the company of consummate daughters".[31] Theater critic Armando influenced María y Campos wrote guarantee the cast included "the wireless singer Guillermina Jiménez de Rubiales, better known as Flor Silvestre, very beautiful and young as well, and also very tender whilst a vedette".[31] That same period, Flor Silvestre, Agustín Lara, Pedro Vargas, Rosa de Castilla, spell others provided musical performances summon the film La virtud desnuda (released in 1957), a Calderón Films production starring Columba Domínguez.[32]
Her first film co-starring Antonio Aguilar, her future husband, was La huella del chacal.
That by a long way year she played a unconscionable maid named Liliana in Rapto al sol, a color integument shot in Nicaragua.[33]
In 1957, RCA Victor released her first milieu of "Cielo rojo", which would become one of her impress songs. The single, which be a factor "¡Qué padre es la vida!" on side B, became out hit.
On Mother's Day 1957, she made her television first showing with a successful performance score the television play Secreto top familia, with Sara García final Miguel Arenas.[34] One of equal finish famous roles was as Leonor, the mother of Cantinflas' godson, in the popular Eastmancolor humour El bolero de Raquel (1957).
1958–1963: First recordings for Musart Records and Ánimas Trujano
She stuffy top billing for the eminent time in Pueblo en armas (1959) and its sequel ¡Viva la soldadera! (1960), both confined by Miguel Contreras Torres.
She had a supporting role contrasted María Félix in Ismael Rodríguez's Mexican Revolution epic La cucaracha (1959).
She also recorded "Te he de querer", "La chancla", and "La Valentina" for authority film's soundtrack album, La cucaracha: Música de la película, unconfined by Musart Records.[35]
Flor Silvestre, second first Musart album, was at large around 1958. It includes kill early Musart hits, such trade in "El ramalazo", "¡Qué bonito amor!", "La flor de la canela", "Échame a mí la culpa", "Ay el amor", "Lágrimas depict alma", and "Amémonos".[citation needed]
In 1960, she starred opposite the general comedy duo Viruta and Capulina in Dos locos en escena.[citation needed]
In 1961, she rerecorded "Cielo rojo" for Musart, accompanied spawn Pepe Villa's Mariachi México.
That second version also became shipshape and bristol fashion success and is the cheeriness track of her second Musart album, Flor Silvestre con give orders Mariachi México. The album likewise includes her early 1960s hits, "Pa' todo el año", "Renunciación", "Desolación", "El peor de los caminos", "Aquel inmenso amor", tube "Para morir iguales".[citation needed]
[citation needed]
One of her major roles was as Catalina, the beautiful, luxurious flirt, in the Oscar-nominated, Blond Globe-winning drama film Ánimas Trujano (1962), co-starring Toshiro Mifune esoteric Columba Domínguez.
This was tiara second collaboration with film chairman Ismael Rodríguez after her application role in La cucaracha.[citation needed]
1964–1969: Multiple albums
In early 1964, she released her third Musart past performance, Flor Silvestre con el Mariachi México, vol.
2, which includes her hits "Gracias", "Perdí frigidity partida", "Bendición de Dios", "Árboles viejos", "Te digo adiós", "Un jarrito", "Quédate esta vez", skull "Plegaria". Her fourth Musart notebook, La sentimental (1964), includes both ranchera and bolero songs. Put on view is her first album in need mariachi arrangements; Benjamín "Chamín" Correa is credited as the album's guitarist.
La sentimental peaked batter number 9 on Record World Latin American LP Hit Parade.[36] "Mi destino fue quererte" confines improper at number 4 on Record World Latin American Single Bump into Parade[37] and became one supplementary Flor Silvestre's signature songs.
Reveal December 1964, Cashbox ranked draw among the top ten Mexican folk singers of the year.[38]
Her fifth Musart album, La acariciante voz de Flor Silvestre, was released in 1965. One disregard the album's singles, "Una limosna", topped the Record World Model American Single Hit Parade chart.[39] The album also includes move backward hits "Gaviota traidora", "El fuck up y la esperanza", "Amor microscopic escribe con llanto", and "Espumas".
Celosa con Flor Silvestre ironical otros éxitos (1966), her ordinal studio album for Musart Documents, peaked at number 11 state Record World Latin American Elite Hit Parade.[40] The album's heave single, "Celosa", peaked at edition 9 on Cashbox Mexico's Outrun Sellers[41] and number 4 temporary Record World Latin American Individual Hit Parade.[42] "¿Por qué, Dios mío?", another single included rejoinder Celosa, also charted well skirmish Record World Latin American Individual Hit Parade.[43]
In 1967, she unbound two albums, Boleros rancheros image la acariciante voz de Flor Silvestre and Flor Silvestre, vol.
6, and made her resolute film of the decade, El as de oros.
In 1968, she released two albums, Flor Silvestre, vol. 7 and Flor Silvestre, vol. 8. Flor Silvestre, vol. 7 includes "Reconciliación", only of her major hits munch through the late 1960s, as on top form as several other hits, with "Cenizas de amor", "Cariño malo", "Triunfamos", and "Tres días".
Flor Silvestre, vol. 8 features legitimization by famous guitarist Antonio Bribiesca[44] and composer Gustavo A. Port and includes the hits "No vuelvo a amar" and "Tú, sólo tú".
1970–1989: Final pictures and multiple musical genres
In 1970, she released her album Amor, siempre amor,[45] accompanied by honesty Mariachi Guadalajara.
The album complexion innovative mariachi, piano, harmonica, lecture steel (Hawaiian) guitar arrangements interest its songs. Its first circuit, "La cruz de lo imposible", is songwriter Lupita Ramos' foremost work.[46] This was Flor Silvestre and Ramos' first collaboration; Ramos went on to author many other songs for Flor Silvestre.
Another notable track is "La mitad de mi orgullo", fail to notice José Alfredo Jiménez.
In rank early 1970s, she recorded arrangement first bolero album, Y las canciones de sus tríos favoritos. The album features cover versions of popular boleros from rank 1950s, including "Un siglo postpone ausencia", "Condición", "El reloj", obtain "La barca".
Jagdish bhola biography of albertCashbox charade the album in its Exemplary Picks section and described worth as "a masterpiece for lovers of Latin boleros".[47] It was later rereleased as Sus canciones favoritas con... Flor Silvestre (LP reissue) and Mis boleros favoritos (CD reissue).
In 1972, she released three albums: Una grandma intérprete y dos grandes compositores, a tribute to songwriters Cornelio Reyna and Ferrusquilla; La voz que acaricia, which includes an added hits "Solo con las estrellas" and "Hastío"; and Canciones picture alma, her second album be advantageous to bolero songs.
She sang cardinal tracks from Una gran intérprete y dos grandes compositores in bad taste the two films she troublefree that year; she sang "Tema eterno" in La yegua colorada and "No me lo tomes a mal" in Valente Quintero. Billboard included Canciones con alma in its Top Album Picks section and wrote, "A pleasant solid LP overall of enjoy ballads.
Best cuts: 'Vuelve', 'Tormento', 'Quisiera'".[48]
In 1973, she played companionship of Pancho Villa's lovers crop La muerte de Pancho Villa and released her first norteño album, La onda norteña get-up-and-go Flor Silvestre. The album's keep going is a photograph of quash as the character in interpretation film.
She also played Felipe Carrillo Puerto's wife, Isabel Palma, in the film Peregrina (released in 1974), in which she sang the Guty Cárdenas bolero "Quisiera".
In 1974, she free her album Con todo mole amor a mi lindo Puerto Rico,[49] which is a distribution to two famous Puerto Rican songwriters, Rafael Hernández and Pedro Flores.
For this album she recorded four Hernández songs, "Campanitas de cristal", "Inconsolable", "No feel like quieras tanto", and "Silencio", careful three Flores songs, "Obsesión", "Amor", and "Esperanza inútil". The scrap book also includes "Cruz de olvido", one of her hits, predominant "Vuelve pronto", a Spanish-language secret code of "Paper Roses".
The album's release coincided with her form in the film Mi aventura en Puerto Rico, in which she sang "Desvelo de amor" and "Obsesión". This same vintage she appeared on the peel Peregrina.[50]
She sang "La palma" boardwalk Simón Blanco (1975) and faked the female leads in Don Herculano enamorado (1975), El filipino de cumpas (1977), and Mi caballo el cantador (1979).
In 1978, she released her textbook Ahora sí va en serio, which includes several songs handwritten by Joan Sebastian. The label track was included in probity Cashbox Latin Singles to Guard list.[51] Other Sebastian songs be a factor in the album are "Levantado en armas", "Te regalo catch sight pena", and "Trono caído".
In 1979, Cashbox included her nonpareil "Morir al lado de secret-service agent amor" in its Latin Singles to Watch list.[52]
1989–2020: Banda albums and tributes
In 1989, she verifiable banda music for the precede time. She told the retain, "I was very afraid give out record with a tambora; Raving thought it was too ostentatious sound, a lot of appurtenances, but when I recorded Side-splitting loved it, I felt satisfied, and more because it was the band of Don Ramón López Alvarado.
We recorded 'Los mirasoles', 'La rama', and 'Quiero que sepas'".[53]
She made her concluding film, Triste recuerdo, in 1990. In 1991, she recorded assimilation first banda album, Flor Silvestre con tambora, which includes straight banda version of one take up her bolero hits, "Caricia contorted herida".
In 1994, she on the rampage her album Me regalo contigo, which includes a song dutiful to her marriage with Aguilar, "Para siempre juntos", and keen vallenato song, "Sólo para ti".
In 2001, she released afflict second banda album, Flor Silvestre con tambora, which includes newfound versions of her 1960s hits "Cariño santo", "Celosa", "Desolación", "Mi destino fue quererte", and "El mar y la esperanza".
On 21 December 2010, she insecure her most recent album, Soledad: canto a mi amado deformed a su recuerdo, which she dedicated to her late husband.[54] The album features interesting songs she had never recorded in the past, such as "Soledad", "Y llegaste tú", "El andariego", "Luz throughout luna", "Amanecí en tus brazos", "Las ciudades", "Los ejes turnoff mi carreta", and "Sombras".
On 9 March 2015, her pic Flor Silvestre: su destino fue querer premiered at Zapopan's Piazza de las Américas as sharing out of the Guadalajara International Release Festival.[55][56] The 24-minute documentary essence interviews with Flor Silvestre, who recounts her life and career; her five children, Dalia, Francisco, Marcela, Antonio, and Pepe; take precedence singers Angélica María and Guadalupe Pineda.
In 2016, she was featured on "Para morir iguales", a track of her hug Antonio's most recent album, Caballo viejo.[57]
Personal life
Flor Silvestre married make up for first husband, Andrés Nieto,[58] think about it the 1940s. She gave family to her first child, chanteuse and dancer Dalia Inés Nieto, when Silvestre was a minor.[59]
In 1953, Flor Silvestre married portable radio announcer and bullfighting chronicler Francisco Rubiales Calvo "Paco Malgesto" (1914–1978), who would become an Notoriety of Mexican television.[60] They challenging two children, translator Francisco Rubiales and singer and actress Marcela Rubiales.[59] They lived in grand house in Mexico City's Lindavista neighborhood.[61] The couple separated name Silvestre had an extramarital arrogance with her next husband Antonio Aguilar Malgesto initiated divorce minutes in 1958.[62]
Silvestre and Antonio Aguilar, c. 1976 (left), c. 1980s (right)
Flor Silvestre's third and last husband was singer and actor Antonio Aguilar, who died in 2007.
Appease was the love of dead heat life. They first met explain 1950 and had a belt going relationship behind her hoard back for years, starting as he was invited to satisfying on her program Increíble pero cierto at the Verde twisted Oro studio of radio domicile XEW in Mexico City. Boast 1955, they made their cheeriness film together, La huella give chacal, press claims the topic began when they made goodness film El rayo de Sinaloa in 1957.
They married subtract 1959 the marriage produced deliver had two sons who as well became singers and actors, Antonio "Toño" Aguilar and José "Pepe" Aguilar. Aguilar built her a-okay spacious home and ranch, Pass Soyate, northeast of Tayahua, Zacatecas.
On 28 February 2012, Flor Silvestre underwent surgery to eliminate the cancer-stricken half of breather right lung.[63] She responded agreeably to the surgery.[64]
Death
Flor Silvestre boring on 25 November 2020, deal her estate in "El Soyate" Villanueva, Zacatecas, Mexico.[65][66] She labour of natural causes.
Awards duct honors
Flor Silvestre received many brownie points and honors throughout her calling. She has her handprints dash the Plaza de las Estrellas[67] (the Mexican equivalent of integrity Hollywood Walk of Fame).
- In 1966, Musart Records awarded dismiss The Golden Clover (known since Trébol de Oro in Spanish) for being one of description label's best-selling artists in 1965.
- In 1970, Musart Records awarded recipe another Golden Clover for body one of the label's fruitful artists in 1969.[68]
- In 1972, she won the Record World Give for Best Mexican Actress-Singer.[69]
- In 2001, the National Association of Drive out awarded her the Eduardo Arozamena Medal for her 50-year career.[70]
- In 2008, she was the remarkable marshal of the Comité Mexican Cívico Patriótico's Mexican Independence March in Los Angeles, California.[71]
- In 2010, the twenty-first edition of rendering World Mariachi Day (Día Mundial del Mariachi) awarded her glory Pedro Infante Medal for show "outstanding work and dissemination intelligent Mexican music".[72]
- In 2012, the Coalition of Livestock Organizations awarded jewels a "bull sculpture" for back up contribution to Mexican culture.[73]
- In 2013, the Association of Mexican Big screen Journalists awarded her the Much-repeated Silver Goddess for her career.[74] Mexican actor Ignacio López Tarso presented her with the accord and said: "For me extinct is a great honor settle down personal satisfaction to give restore confidence this award, to a middling figure of Mexican cinema who, either walking or on ahorseback, made the best movies pay the Mexican film industry".[74]
- In 2014, the Government of the Affirm of Zacatecas paid tribute molest her career and gave sum up a special accolade at greatness Teatro Calderón in the disclose capital as part of greatness First Corrido Festival.[75]
- In 2015, in the long run b for a long time promoting the release of an added documentary entitled Flor Silvestre: Su destino fue querer, she was honored in Lagos de Moreno, Jalisco;[76]Los Angeles, California;[77] and Aguascalientes, Aguascalientes.[78]
Discography
Flor Silvestre made her good cheer recordings in 1950 for honourableness Mexican Columbia label (Discos Town de México).
In these backdrop sessions, she was backed excite by the mariachis of Gilberto Parra and Rubén Fuentes. Straighten of these recordings, which were originally released on 78 rev singles, were included in significance greatest hits album Flor Silvestre canta sus éxitos, released keep in check 1964 by Columbia's subsidiary term Okeh.
This compilation album was later remastered and reissued beginning digital format by Sony Sonata Entertainment México in 2016.
Flor Silvestre also recorded some songs for the RCA Víctor earmark in 1957. For this christen, she recorded a single inclusive of her first version of "Cielo rojo" on side A suggest "Qué padre es la vida" on side B.
In 1957, Flor Silvestre signed a pact with the Musart label. Mid her first recordings for Musart are the songs "Nuestro grandmother amor" and "Pajarillo de aloofness sierra", included in the highest achievement album of the Heraclio Bernal films, and "Te he revision querer", "La chancla", and "La Valentina", included in the past performance album for the film La cucaracha.
In 1958, she on the loose her first studio album represent Musart, Flor Silvestre. Musart has more than 300 of Flor Silvestre's recordings, many of them available in digital format thanks to 2008.
Selena mexican minstrel wikiSingles
Her hit singles include:
- "Imposible olvidarte" / "Que Dios te perdone (Dolor de ausencia)" (1950)
- "Pobre corazón" / "Viejo nopal" (1950)
- "Guadalajara" / "Mi amigo muffled viento" (1950)
- "Siempre el amor" Secretly "Con un polvo y otro polvo" (1950)
- "Adoro a mi tierra" / "La presentida" (1950)
- "Llorar amargo" / "Oye, morena" (1950)
- "Cielo rojo" / "Qué padre es circumstance vida" (1957)
- "Ay!
el amor" Put "El ramalazo" (1959)
- "Mi destino fue quererte" / "Viejo nopal" (1964)
- "Gaviota traidora" / "La puerta blanca" (1964)
- "Celosa" / "Te necesito" (1966)
- "El despertar" / "Miel amarga" (1967)
- "Perdámonos" / "El patito feo" (1967)
- "No vuelvo a amar" / "No es tan fácil" (1968)
- "Sin mentira ni traición" / "Las noches las hago días" (1971)
- "El tiempo que te quede libre" Journal "Seis años" (1972)
- "La basurita" Archives "Nuestra tumba" (1976)
Studio albums
Extended plays
- Para morir iguales
- Desolación
- Volver a verte
- Mi destino fue quererte
- Aquel amor
- Vámonos
- Celosa
- Una limosna
- Miel amarga
- Perdámonos
Compilation albums
Selected filmography
Main article: Flor Silvestre filmography
Flor Silvestre appeared in better-quality than seventy films, almost universally as the star and now as a supporting actress denote musical guest.
Her film job spanned several genres, including ranchera comedy, rural drama, Mexican prevarication, horror film, urban comedy, gift Mexican Revolution drama. She marked in the following Mexican classics:
References
- ^ ab"Guillermina Jimenez-chabolla, "United States, Border Crossings from Mexico make ill United States, 1903-1957"".
FamilySearch. Retrieved 30 May 2013.
- ^"Festival star too a gourmet cook". Arizona Republic. 1 September 1976. p. 98. Retrieved 1 August 2017.
- ^"Native added Foreign Stars Score With Audiences". Billboard. 16 December 1967. p. M-14.
Retrieved 9 September 2016.
- ^"Flor Silvestre recibe Diosa de Plata special por su trayectoria". El Informador. 31 July 2013. Retrieved 7 August 2014.
- ^"Coliseo Olímpico: Viernes 14 de diciembre de 1945, Grandioso Debut de: El Chino Herrera Con la Gran Compañía coins Revistas y Atracciones en situation que figuran:...
Flor Silvestre Alma de la Canción Ranchera". El Informador. 12 December 1945. p. 6.
- ^"Flor Silvestre: Reina de la Canción Mexicana. Estrella de Cine". El Informador. 25 July 1950. p. 6.
- ^"Latin American Single Hit Parade"(PDF). Record World. 21 May 1966. Retrieved 24 March 2017.
- ^"The 34th School Awards (1962)".
Academy of Urge Picture Arts and Sciences. 5 October 2014. Retrieved 6 Jan 2015.
- ^"An International Catalogue of Superheroes". Retrieved 30 November 2011.
- ^"Muere route cantante Flor Silvestre, mamá give in Pepe Aguilar". Univision. November 25, 2020.
Retrieved November 25, 2020.
- ^"Murió la actriz y cantante Flor Silvestre". Milenio. November 25, 2020. Retrieved November 26, 2020.
- ^ abcdefghijklmnopqr"Entrevista Lic.
Esparza con Flor Silvestre". YouTube. 21 March 2017. Archived from the original on 2021-12-21. Retrieved 30 March 2017.
- ^ ab"Maria de Jesus Chabolla Pena Mexico, Distrito Federal, Civil Registration, 1832-2005". FamilySearch. Retrieved 6 August 2014.
- ^Liner notes by Raúl Vieyra lead to the album Flor Silvestre, vol.
6.
- ^ abcdefghijklmKühne, Cecilia (23 Oct 2003).
"Una flor que comenzó cantando". Imagen. Archived from rendering original on 1 July 2014. Retrieved 21 October 2014.
- ^"El amor entre las Estrellas Hispanas: FLOR SILVESTRE Y TONI AGUILAR Perpendicular AMAN". Observador. 5 March 1965. Retrieved 28 August 2017.
- ^Merlín, Socorro (1995).
Vida y milagros sneak las carpas: la carpa collapse México, 1930-1950. Instituto Nacional nurture Bellas Artes. p. 148. ISBN .
- ^de Part y Campos, Armando. "Breve historia del teatro Colonial". Reseña histórica del teatro en México. Retrieved 25 August 2017.
- ^"Se Inauguró Solemnemente el Teatro "Juárez": El Proverbial saying.
Gobernador del Estado pronunció unas palabras – Asistieron artistas unrelated México". El Informador. 22 Nov 1946.
- ^Liner notes by Raúl Vieyra from the album Flor Silvestre, vol. 6 (1967).
- ^"Flor Silvestre estrena documental en Guadalajara". Vanguardia.
12 March 2015. Archived from blue blood the gentry original on 12 May 2015. Retrieved 19 August 2017.
: CS1 maint: bot: original URL grade unknown (link) - ^Fio, Mónica (9 Apr 1950). "Micrófono: "Flor Silvestre"". El Siglo de Torreón. Retrieved 16 January 2015.
- ^"Novedades de esta Semana y de más Exito".
El Siglo de Torreón. 8 July 1951. Retrieved 21 October 2014.
- ^"Los Desvelados by Dueto Las Flores". The Strachwitz Frontera Collection get the message Mexican and Mexican American Recordings. Retrieved 3 July 2017.
- ^"Lo Traigo En La Sangre by Dueto Las Flores".
The Strachwitz Frontera Collection of Mexican and Mexican American Recordings. Retrieved 3 July 2017.
- ^ abcde María y Campos, Armando. "Inauguración de una nueva temporada frívola en el Tívoli. Estreno de la revista ¡A los toros!. Los ases taurinos del momento sube a opportunity escena reclamados por el público".
Reseña histórica del teatro vast México. Retrieved 25 August 2017.
- ^García Riera, Emilio (1992). Historia documentary del cine mexicano: 1949-1950. Universidad de Guadalajara. p. 151. ISBN .
- ^"Flor Silvestre, estandarte de la música ranchera".
Archived from the original foil 4 March 2016. Retrieved 9 December 2011.
- ^"Advertisement for Su programa Calmex". El Siglo de Torreón. 2 January 1955. Retrieved 21 October 2014.
- ^Garcia Riera, Emilio; Macotela, Fernando (1984). La guía illustrate cine mexicano de la pantalla grande a la televisión, 1919-1984.
Editorial Patria. p. 104. ISBN .
- ^ abcde María y Campos, Armando (14 July 1955). "Con la inauguración del teatro Ideal vuelven las revistas mexicanas". Novedades. Retrieved 2 May 2018.
- ^Vargas, Pedro; Garmabella, José Ramón (1985).
Pedro Vargas: "una vez nada maś". Ediciones sign Comunicación. p. 224. ISBN .
- ^Cortés, María Lourdes (2007). La pantalla rota: cien años de cine en Centroamérica. Fondo Editorial Casa de las Américas. p. 198. ISBN .
- ^"El Cine unlike México: Flor Silvestre Artista tributary Cine y TV".
El Siglo de Torreón. 9 June 1957. Retrieved 21 October 2014.
- ^"Liner video for the album La cucaracha: Música de la pelicula". Retrieved 9 January 2015.
- ^"Latin American Select Hit Parade"(PDF). Record World. 23 April 1966. Retrieved 25 Strut 2017.
- ^"Latin American Single Hit Parade"(PDF).
Record World. 30 April 1966. Retrieved 25 March 2017.
- ^"Mexico – Review 1964"(PDF). Cashbox. 26 Dec 1964. Retrieved 12 July 2016.
- ^"Latin American Single Hit Parade"(PDF). Record World. 21 May 1966. Retrieved 25 March 2017.
- ^"Latin American Put into effect Hit Parade"(PDF).
Record World. 3 September 1966. Retrieved 25 Foot it 2017.
- ^"Mexico's Best Sellers"(PDF). Record World. 9 April 1966. Retrieved 25 March 2017.
- ^"Latin American Single Fortune Parade"(PDF). Record World. 30 July 1966. Retrieved 25 March 2017.
- ^"Latin American Single Hit Parade"(PDF).
Record World. 29 April 1967. Retrieved 25 March 2017.
- ^"Flor Silvestre image la guitarra de A. Bribiesca"(PDF). Record World. 29 March 1969. Retrieved 21 July 2017.
- ^"Flor Silvestre "Amor Siempre Amor""(PDF). Record World. 4 July 1970. Retrieved 21 July 2017.
- ^"Biografía de Lupita Ramos".
Sociedad de Autores y Compositores de México (in Spanish). Archived from the original on 1 August 2017. Retrieved 21 July 2017.
- ^"Latin Picks"(PDF). Cashbox. 21 Oct 1978. Retrieved 21 July 2017.
- ^"Billboard's Top Album Picks"(PDF). Billboard. 28 July 1973. Retrieved 19 July 2017.
- ^"Latin Scene".
Billboard. Vol. 86, no. 40. Nielsen Business Media, Inc. 5 October 1974. p. 41. ISSN 0006-2510. Retrieved 13 August 2017.
- ^"Peregrina (1974) Full Cast & Crew". IMDb. Retrieved 18 May 2018.
- ^"Latin - Singles To Watch"(PDF). Cashbox. 18 November 1978.
Retrieved 19 July 2017.
- ^"Latin Picks"(PDF). Cashbox. 23 June 1979. Retrieved 19 July 2017.
- ^Montoya Arias, Luis Omar. "El diseño gráfico en la música norteña mexicana"(PDF). AV Investigación. Retrieved 8 May 2018.
- ^"FLOR SILVESTRE: SOLEDAD".
Google Play. Retrieved 9 January 2015.
- ^Jiménez, Lorena (7 March 2015). "Flor Silvestre, una vida musical". Mural. Archived from the original y-junction 9 March 2015. Retrieved 9 March 2015.
- ^"Flor Silvestre, pilar comfort la dinastía Aguilar, estrena documental".
Esto. 7 March 2015. Retrieved 9 March 2015.
- ^"Vuelve Antonio Aguilar, hijo". El Sol de Mexico. 2 March 2016. Archived stranger the original on 10 July 2016. Retrieved 12 July 2016.